

Gone is the off-white look that graced the version we looked at two years ago, replaced with a sleeker, more modern, dark gray design. The interface has had a pretty major revamp.
#HITFILM EXPRESS REVIEW FREE#
Instagram stories viewer HitFilm Express 14: New featuresīecause we have looked at several earlier versions of HitFilm Express (check out our Hitfilm Express review), this review covers only the newest features found in HitFilm Express 14.Īmong the major things we appreciate about HitFilm Express is that it is truly free in its basic form and, unlike some other packages, does not conflate or confuse users with free vs.HitFilm boasts a new look, and most of the tools you know are still there (Image credit: FXHome) What also sets HitFilm apart from other free packages is that it concentrates on giving users the tools they crave for tasks they perform most often, such as text and titles, integrated special effects, green screen, transitions, export flexibility, and the ability to use and create presets for the exact output destination of their movie. HitFilm Express does all that without limiting or funneling users into a specific workflow. Regardless of what you want to do, you can find a quick and easy way to accomplish it while having the opportunity to learn and do much more, if you want. HitFilm Express 14: Hardware requirements

#HITFILM EXPRESS REVIEW PRO#
HitFilm is a pro tool and the company says that it functions best with hardware that has discrete graphics, but we find that it is also usable on some integrated graphics systems as well, including consumer-oriented Mac and Windows machines. HitFilm Express is stable and moves smoothly without stuttering through operations.Ī new light interface is now the default, though owners of previous versions can revert to the original dark interface for free. Version 14’s interface is as different from the previous version as night is to day - literally. Until now, HFE has sported a classic dark gray interface that’s been the style for most pro-level video editing apps. With the new version comes a light face, which is bound to distract some longtime users. I found the white interface way too bright and the contrasting orange color has an almost iridescent quality that goes poorly with video interfaces.
#HITFILM EXPRESS REVIEW UPGRADE#
If you were lucky enough to have owned previous versions of the app, the upgrade gives you the choice of either the dark or light interface. The dark interface is available for first time users only if they purchase a starter pack for $9. I hope the developers revisit the interface color scheme again and refine it a bit – or even better, continue to offer interface color choices in the default free version. You can now drag and drop a variety of special effects on to your video. You can now double-click the effects panel to apply effects to a selected layer and drop 2D effects directly onto layers in the viewer. Certain effects – like Chroma Key, particle effects and Light Flares – can be positioned at a specific point. A handy new Favorites folder lets you quickly find your favorite and most-used effects. HitFilm Express 14 is a significant upgrade over previous versions, with the most noticeable changes being its new “light” interface, and a new fee structure for those who don’t mind paying for additional features.
